This fonds contains records connected with 22 Superiors or Presidents of Assumption College and University, ca. 1861-2009. For the most part it is organized chronologically by individual, although later accruals to the fonds have led to some quirks in file numbering or arrangement. Much of the fonds consists of administrative correspondence connected with institutional matters. There are also photographs, reports, publications, statistics, and notes on various subjects.

This fonds contains records of students and student activities at Assumption College and Assumption University, ca. 1870s-1980s. It also includes some records from Assumption High School in that period, and for the University of Western Ontario during the years of Assumption’s affiliation with Western. Included are roll books and testimonials; minutes of the Literary Society; newsletters, yearbooks, and student publications; handbooks for students, residents, and faculty; promotional and recruitment brochures for Assumption; ephemera relating to special events, convocation, dramatics, and athletics; program and course listings; and news clippings. There is a small amount of material relating to student grades or schoolwork, alumni, Second World War servicemen, and deceased Basilian Fathers. Of special note: correspondence relating to the Assumption victory song, a history of Holy Names College, and brochures for 1940s summer school offerings listing Wyndham Lewis and Marshall McLuhan as faculty.

This fonds consists primarily of historic postcards depicting landscapes, buildings, attractions, infrastructure, and vehicles in the region of Southwestern Ontario, with a particular focus on Windsor and Essex County. Many of the postcards are undated, but formats include hand-tinted Early Twentieth Century (ca. 1900-1914) and White Border (ca.1914-1932) styles, as well as Linen (ca.1933-early 1950s), Standard/Chrome (ca. mid-1950s-1970s), and Continental/Modern (ca. 1970s - present) styles. Also included are a small number of photographs and ephemera items including arrest warrants, tokens, medallions, patches, maps, brochures, tickets, and advertisements, all relating to local people, businesses, events, or locations.

The years 1900 to 1914 were a so-called Golden Age for postcards in North America, thanks to the popularity of photography and mass production techniques that made them an affordable collectible item. Views of all kinds were produced, including residential neighbourhoods, churches and civic buildings, commercial districts, industrial plants, bridges, and landscapes. From 1900 into the 1930s, many postcards were black-and-white photographs with colour added. In subsequent decades glossy colour photographs became the norm, and a narrower range of views were produced (often depicting popular tourist sites, where they were sold as souvenirs). By the 1970s most North American postcards shifted from the traditional small size (8.5 x 14cm) to the larger European (“Continental”) size (10 x 15.5cm) and continued to feature a small range of local tourist attractions. All of these trends are reflected in the postcards contained in this fonds.