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The fonds consists of original Windsor Star editorial cartoons drawn by Mike Graston that reflect local, provincial, national, and international public affairs of the period 1981-2016. The images have been arranged by date of creation. Politics and politicians figure prominently, at all four levels.

Municipal topics include mayors and city councillors, elections, public utilities and infrastructure, local Canada-US border crossings, automakers and other major local employers, unions and strikes, strip clubs, casinos, the downtown core, and riverfront development plans.

Provincial topics include premiers and Windsor/Essex members of provincial parliament, party leaders, economic policies, education, health care, and elections.

National topics include prime ministers and Windsor/Essex members of parliament, party leaders, economic policies, taxation, national defence, elections, same-sex marriage, Quebec separatism, Western alienation, and many political scandals.

International issues include wars in Iraq, war in Afghanistan, school shootings, the British Royal Family, American presidential politics, and Canadian-American relations.

Social issues are a secondary focus, with recurring themes of technological change, demographic change in Canada, Western popular culture (including television, sports, music, and celebrities), Remembrance Day, public health, and the environment.

A small amount of biographical information about Mike Graston and past exhibits of his work is also included in a textual file.

This fonds consists primarily of historic postcards depicting landscapes, buildings, attractions, infrastructure, and vehicles in the region of Southwestern Ontario, with a particular focus on Windsor and Essex County. Many of the postcards are undated, but formats include hand-tinted Early Twentieth Century (ca. 1900-1914) and White Border (ca.1914-1932) styles, as well as Linen (ca.1933-early 1950s), Standard/Chrome (ca. mid-1950s-1970s), and Continental/Modern (ca. 1970s - present) styles. Also included are a small number of photographs and ephemera items including arrest warrants, tokens, medallions, patches, maps, brochures, tickets, and advertisements, all relating to local people, businesses, events, or locations.

The years 1900 to 1914 were a so-called Golden Age for postcards in North America, thanks to the popularity of photography and mass production techniques that made them an affordable collectible item. Views of all kinds were produced, including residential neighbourhoods, churches and civic buildings, commercial districts, industrial plants, bridges, and landscapes. From 1900 into the 1930s, many postcards were black-and-white photographs with colour added. In subsequent decades glossy colour photographs became the norm, and a narrower range of views were produced (often depicting popular tourist sites, where they were sold as souvenirs). By the 1970s most North American postcards shifted from the traditional small size (8.5 x 14cm) to the larger European (“Continental”) size (10 x 15.5cm) and continued to feature a small range of local tourist attractions. All of these trends are reflected in the postcards contained in this fonds.

This fonds consists of a narrow, hardbound ledger book containing handwritten entries of accounts held by customers of an unknown merchant identified as “E.H” (possibly E. Hall), 1826-1831. E.H. was likely based in the vicinity of present-day Windsor, Ontario. The ledger presents itemized lists of goods purchased and amounts owing or paid, under each customer’s name. Roughly two-thirds of the volume is unused. E.H.’s customers came primarily from Essex and Kent counties and Detroit, Michigan, but also elsewhere along the upper Great Lakes, including Drummond Island. Both male and female names are present, and some customers’ occupations are given as well, including blacksmith, miller, distiller, cooper, cook, merchant, labourer, crevier, regimental sergeant, ship’s carpenter, seaman, sailor, engagé, servant woman, and inhabitant. Many customers are French-Canadian; one may have been Black, and another Indigenous.