This fonds consists primarily of historic postcards depicting landscapes, buildings, attractions, infrastructure, and vehicles in the region of Southwestern Ontario, with a particular focus on Windsor and Essex County. Many of the postcards are undated, but formats include hand-tinted Early Twentieth Century (ca. 1900-1914) and White Border (ca.1914-1932) styles, as well as Linen (ca.1933-early 1950s), Standard/Chrome (ca. mid-1950s-1970s), and Continental/Modern (ca. 1970s - present) styles. Also included are a small number of photographs and ephemera items including arrest warrants, tokens, medallions, patches, maps, brochures, tickets, and advertisements, all relating to local people, businesses, events, or locations.

The years 1900 to 1914 were a so-called Golden Age for postcards in North America, thanks to the popularity of photography and mass production techniques that made them an affordable collectible item. Views of all kinds were produced, including residential neighbourhoods, churches and civic buildings, commercial districts, industrial plants, bridges, and landscapes. From 1900 into the 1930s, many postcards were black-and-white photographs with colour added. In subsequent decades glossy colour photographs became the norm, and a narrower range of views were produced (often depicting popular tourist sites, where they were sold as souvenirs). By the 1970s most North American postcards shifted from the traditional small size (8.5 x 14cm) to the larger European (“Continental”) size (10 x 15.5cm) and continued to feature a small range of local tourist attractions. All of these trends are reflected in the postcards contained in this fonds.

This fonds contains personal, professional, and domestic records from the life of Joan Somers Sullivan in the later-20th and early-21st centuries. Series I (Personal Records) includes reminiscences about Joan, medical information, clippings related to community activitism (including traffic problems in Old Sandwich), and personal journals. Series II (Professional Records) features her resumé and qualifications, as well as administrative records, correspondence, public talks, research material, clippings, and publications connected with her pioneering effort to unionize legal secretaries in Windsor, Ontario during the 1970s. This includes talks for events held by the Faculties of Law at the University of Windsor and the University of Western Ontario, and articles published in the Windsor Woman women’s liberation newspaper and The Oyez Windsor law students’ newspaper. Series III (Domestic Records) contains recipes and household hints used in her later-life personal housekeeping, as well as lists of her annual Christmas baking.

This fonds consists of records pertaining to Jim Davies’ personal life and his involvement in Windsor’s gay community and other activist circles. Series I: Papers includes material relating to the local labour movement and the local women’s movement during the 1970s, including reflections on labour theory and labour unions, as well as minutes and outlines relating to the establishment of The Women’s Place and the Lincoln Road Co-op Daycare, both of which responded to issues identified by the local women’s movement. There are two Windsor Gay Unity membership cards, several documents relating to the discriminatory firing of Jim Davies from the Wandlyn Viscount Motor Hotel, a Social Work course assignment by Davies proposing measures to reduce discrimination against gays and lesbians, and a City of Windsor proclamation of Pride Day 1998. Series II: Photographs includes images of staff involved with the AIDS Committee of Windsor, participants in several Windsor Pride parades and associated events, as well as personal photographs of Jim Davies with his friends and loved ones.

This fonds contains records created or collected by the Windsor, Ontario club of the Canadian Federation of University Women (CFUW) between 1945 and 1997. Collectively, the records provide insight into club members’ social and political activities, as well as their engagement with provincial and national CFUW bodies, and select member organizations of the International Federation of University Women (IFUW). The records have been arranged into four series: Series I: CFUW – Windsor Club (1945-1997); Series II: CFUW – Ontario (1950-1994); Series III: CFUW – National (1943-1995); Series IV: International Federation of University Women (1918-1994).

Series I is the most extensive, containing 13 subseries for administrative and financial records, meeting minutes and annual reports, conferences, social gatherings, fundraising initiatives, correspondence, publications, news clippings, scrapbooks and photographs, and advocacy work (mainly around the status of women, education, and/or local heritage). Of particular interest are the club’s 1968 submission to the Royal Commission on the Status of Women, and records of its role in challenging gender-based discrimination within the Windsor Board of Education during the 1970s-1980s.

Series II – IV contain some general information about the provincial, national, and international levels of the CFUW/IFUW, but primarily reflect the specific participation of Windsor members in those organizations, often in the form of social gatherings, conferences, or issues related to the status of women. The CFUW’s practice of passing resolutions related to issues of contemporary concern provides useful insights into members’ collective social and political views.

This fonds principally contains records connected with the Congregation of St. Basil (Basilian Fathers) whose members administered Assumption College and Assumption University from 1870 onward. Secondarily, it contains varied records that document the history of Assumption and its evolution over time. Included are legal documents, memos, correspondence, ephemera, constitutions and rules, historical narratives and memoirs, reports, and a variety of Basilian publications and formal histories of Assumption. Some items pertain to Catholic education broadly, or to the history of the Catholic Church in Southwestern Ontario. Of special note are Assumption fight songs and a victory song, and the Second World War war diary of Rev. Mike Dalton, a military chaplain.