This fonds consists of 31 student projects depicting historical and contemporary features of Southwestern Ontario (primarily Windsor/Essex County but also Sarnia/Lambton County), created by Bachelor of Education students in History or Social Studies courses in the 1980s. They take a variety of forms, including illustrated storybooks, scrapbooks, captioned photo albums, reports, lesson plans, activities, or fact sheets. The projects themselves are of variable quality, but the photographs and ephemera included in many projects provide valuable insight into local landmarks or industries in the 1980s. The collection has been arranged into six thematic series: Series I (Overviews by Geographic Area), Series II (Cultural Attractions), Series III (Sociocultural Groups and Histories), Series IV (Local Government), Series V (Business and Industry), Series VI (Transportation).

Warning: The N-word appears in a historical quotation in one project; stereotyped depictions of Indigenous peoples appear in another. See finding aid for details.

This collection provides glimpses into community and associational life for people of African descent in Windsor, Ontario between the late 19th and early 21st centuries, with an emphasis on the mid-20th century. It is divided into nine thematic series.

Series I contains records of the British Methodist Episcopal (BME) Church, 1873-1999, both Windsor-specific and national. Included are doctrinal books, church registers and membership rolls, land indentures, annual reports, church histories, orders of service, ephemera, press clippings, correspondence, conference programmes, and photographs of historic BME chapels in Windsor, Woodstock, and Chatham, some of which have since been demolished.

Series II consists of administrative and financial records and ephemera from the annual Emancipation Celebration held in Windsor, 1837-1983, including papers of the British-American Association of Coloured Brothers of Ontario, souvenir programmes, and photographs of Emancipation parades ca. late 1950s/early 1960s.

Series III contains minutes, financial records, correspondence and two newspaper clippings from a committee to organize a concert in Jackson Park in affiliation with a conference of the National Association of Negro Musicians, 1955-1956.

Series IV contains minutes, correspondence, and a guest book from the International Women’s Committee (of Black women in Windsor in Detroit) relating to speakers and events in conjunction with Emancipation events, 1954-1956.

Series V holds the constitution, minutes, financial records, history, correspondence, and event-related ephemera (1940-1960) of the Armstead Club, a sporting and social club that also provided youth scholarships. Of special interest is a letter from the first scholarship recipient reflecting on being one of only a few Black students at Queen’s University in the late 1940s.

Series VI consists of minutes, ephemera, and correspondence of the War Mothers Protective League, 1943-1945, which provided morale-boosting cards and gifts to local armed forces personnel serving abroad during the Second World War. One file contains letters of thanks from the servicemen themselves.

Series VII contains minutes, history, and correspondence of the Central Citizens’ Association, 1929-1958, an organization that advocated for the rights and opportunities of Black citizens in Windsor and organized collective action including social clubs, mentoring, boycotts, and political activism.

Series VIII consists of a small number of administrative records – constitution, financial records, names of members (1867-1881) – from the Lydian Association of Windsor, a working women’s mutual aid group that provided financial and nursing support to sick or injured members.

Series IX contains personal records from the Christian/Shreve/Moore family, consisting of A.S. Shreve’s course notes from his flight engineer training in 1944. (Note: further accruals to Series IX are expected.)

The fonds consists of original Windsor Star editorial cartoons drawn by Mike Graston that reflect local, provincial, national, and international public affairs of the period 1981-2016. The images have been arranged by date of creation. Politics and politicians figure prominently, at all four levels.

Municipal topics include mayors and city councillors, elections, public utilities and infrastructure, local Canada-US border crossings, automakers and other major local employers, unions and strikes, strip clubs, casinos, the downtown core, and riverfront development plans.

Provincial topics include premiers and Windsor/Essex members of provincial parliament, party leaders, economic policies, education, health care, and elections.

National topics include prime ministers and Windsor/Essex members of parliament, party leaders, economic policies, taxation, national defence, elections, same-sex marriage, Quebec separatism, Western alienation, and many political scandals.

International issues include wars in Iraq, war in Afghanistan, school shootings, the British Royal Family, American presidential politics, and Canadian-American relations.

Social issues are a secondary focus, with recurring themes of technological change, demographic change in Canada, Western popular culture (including television, sports, music, and celebrities), Remembrance Day, public health, and the environment.

A small amount of biographical information about Mike Graston and past exhibits of his work is also included in a textual file.

This fonds consists primarily of historic postcards depicting landscapes, buildings, attractions, infrastructure, and vehicles in the region of Southwestern Ontario, with a particular focus on Windsor and Essex County. Many of the postcards are undated, but formats include hand-tinted Early Twentieth Century (ca. 1900-1914) and White Border (ca.1914-1932) styles, as well as Linen (ca.1933-early 1950s), Standard/Chrome (ca. mid-1950s-1970s), and Continental/Modern (ca. 1970s - present) styles. Also included are a small number of photographs and ephemera items including arrest warrants, tokens, medallions, patches, maps, brochures, tickets, and advertisements, all relating to local people, businesses, events, or locations.

The years 1900 to 1914 were a so-called Golden Age for postcards in North America, thanks to the popularity of photography and mass production techniques that made them an affordable collectible item. Views of all kinds were produced, including residential neighbourhoods, churches and civic buildings, commercial districts, industrial plants, bridges, and landscapes. From 1900 into the 1930s, many postcards were black-and-white photographs with colour added. In subsequent decades glossy colour photographs became the norm, and a narrower range of views were produced (often depicting popular tourist sites, where they were sold as souvenirs). By the 1970s most North American postcards shifted from the traditional small size (8.5 x 14cm) to the larger European (“Continental”) size (10 x 15.5cm) and continued to feature a small range of local tourist attractions. All of these trends are reflected in the postcards contained in this fonds.